ALVA offer a collection of durable audio products built to the highest standards. Forming a perfect complement to the products from our partners from RME, there's an extensive selection of professional cables and a range of other items designed to make studio or on-stage life easier.
Appsys ProAudio is a Swiss design and manufacture company dedicated to creating digital solutions for broadcast, post-production, live and recording studios.
Calrec Audio supplies audio broadcast mixing consoles which are relied on by the world's most successful broadcasters.
Originally formed as a microphone manufacturer in 1964, Calrec celebrated 50 years as audio specialists in 2014.
The company's reputation for build quality, reliability and audio performance has made it an industry benchmark across the world.
DirectOut GmbH specialises in developing essential pro audio connectivity, networking and bridging solutions for broadcast, studio, live and installed sound applications.
The product range offers solutions that build bridges between different audio worlds, with support for MADI, SoundGrid, Dante, RAVENNA and the standards AES67 and SMPTE ST2110-30/31.
Founded in 1977 in Skanderborg, Denmark, Dynaudio has over 40 years of experience in producing cutting-edge loudspeakers.
From the classic BM Series and contemporary LYD Series, to the
high-end Core and M Series ranges of studio monitors, Dynaudio's focus
on transparency and accuracy has made them a household name of the
recording studio and broadcast audio industries.
In the UK, Dynaudio can be found in major studios such as Abbey Road
and Air Studios, as well as the next generation of film and game studios
mixing for surround sound and Dolby Atmos.
As well as the highly respected B4000+ organ module, Ferrofish offers a range of quality ADAT <> MADI <> Analogue converters that can be used for studio, live, post-production and broadcast applications and at a price that will suit any budget.
iConnectivity is a renowned professional audio manufacturer known for creating innovative and versatile products.
Headquartered in Calgary, Alberta Canada, the iConnectivity range includes audio and MIDI interfaces that are perfect for both studio and live sound.
The mioXL MIDI 1U rack unit is a favourite among studio and live sound professionals as a robust MIDI hub, whilst the unique PlayAUDIO1U interface allows for the connection of multiple host computers via USB.
High-end monitor controllers, headphone amplifiers and microphone preamps from Konstanz, Germany.
Founded in 1986, Lake People has been designing and manufacturing top-tier professional recording solutions for over 30 years in the Lake Constance region.
Renowned for their exceptional sound quality and reliability, Lake People products proudly carry the acclaimed "Made in Germany" seal of quality.
Lauten Audio design and manufacture high quality studio microphones with a unique and distinctive character.
Based in Northern California, the company regularly collaborates with industry professionals when creating fresh and original sounding microphones.
RME is a German company founded in 1996 by a small group of professional audio engineers and designers.
From day one, the team have stuck to a strict philosophy of truly innovative design and unparalleled reliability in the field of digital audio.
Award-winning headphone and speaker calibration software / measurement microphones from Sonarworks.
Calibrate your headphones and studio monitors with Sonarworks' SoundID Reference software. Create, mix and deliver with confidence, trust every mixing decision, and deliver an accurate studio reference sound every time.
Used and loved by over 200,000 sound recording studios globally.
Handmade pro audio equipment from Madrid, Spain. Combining eco-friendly materials with premium analogue sound, the Tierra Audio range includes Microphones, Preamps, EQs, Compressors and more, and in a variety of different flavours - from clean and precise, to warm, colourful and full of character.
Every component is built to the highest of standards, guaranteeing high-end sonic performance and maximum durability for studio recording, mixing and mastering applications.
A selection of Ex-Demo, B-Stock and Open-Box products from our brands including RME, Ferrofish, Icon and Lauten Audio.
Available at reduced prices from new so grab yourself a bargain!
Synthax Audio UK is a
professional audio distributor supplying the recording studio, live
audio, broadcast, installation, education and scientific application
markets.
Representing a number of established pro audio manufacturers, we keep immediate stock of all key items
from our brands including RME Audio, Calrec Brio and Type R, Ferrofish,
Dynaudio studio monitors, DirectOut, iConnectivity, Appsys ProAudio Multiverter and SRC, TIERRA Audio, Lake People, and
Lauten Audio Microphones.
The compact Fireface UC has been uncompromisingly optimised for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.
Under both Operating Systems the available latencies* are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance previously not available from USB audio interfaces.
* Minimal latencies are not guaranteed as they depend on the specific computer and application.
Features
The new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true.
The Fireface UC features all of the proven RME analogue and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz.
Integrated DSP mixer
All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load.
RME Fireface UC Rear Panel - Click To Enlarge
Analogue I/O
Eight analogue inputs and outputs (all balanced, except outputs 7/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo/HiGain), realised discretely in the analogue domain, ensure highest dynamic range and fidelity. Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analogue outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones.
Preamps The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices.
All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analogue input amplification of up to 18 dB in steps of 0.5 dB.
RME Fireface UC Front Panel - Click To Enlarge
Digital I/O
One ADAT I/O provides digital connection to mixers and converters. In combination with an ADI-8 DS/QS or OctaMic II, there are up to 16 analogue inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I/O (up to 192 kHz) is fully AES/EBU compatible. SPDIF can also be accessed through the optical I/O.
Word Clock & MIDI
A Word Clock input and output plus two MIDI I/Os (special breakout cable included) complete the list of features and turn the Fireface UC into an entire audio system of the highest quality.
More Features:
Sample rates up to 192 kHz on all I/Os (including 2 ADAT channels with SMUX4)
Two digitally controlled Mic Preamps in high-end quality
Two balanced universal inputs for line and instrument signals
SteadyClock for maximum jitter suppression and clock refresh
Enhanced stand-alone operation with rotary encoder and front panel display
TotalMix: 648-channel mixer with 42-bit internal resolution
54 Level Meter Peak/RMS, hardware-calculated
Upgrade to the RME Fireface UCX
If you like the look of the Fireface UC, you may like to consider upgrading to the even more powerful RME Fireface UCX.
Windows XP (from SP2), Vista, Vista 64, 7: Full ASIO multi-client operation of WDM and ASIO 2.0. WDM (DirectSound) with stereo and multi-Channel support.
Mac OS X (10.5 or higher) Intel: Core Audio, Core MIDI.
