ALVA offer a collection of durable audio products built to the highest standards. Forming a perfect complement to the products from our partners from RME, there's an extensive selection of professional cables and a range of other items designed to make studio or on-stage life easier.
Appsys ProAudio is a Swiss design and manufacture company dedicated to creating digital solutions for broadcast, post-production, live and recording studios.
Calrec Audio supplies audio broadcast mixing consoles which are relied on by the world's most successful broadcasters.
Originally formed as a microphone manufacturer in 1964, Calrec celebrated 50 years as audio specialists in 2014.
The company's reputation for build quality, reliability and audio performance has made it an industry benchmark across the world.
DirectOut GmbH specialises in developing essential pro audio connectivity, networking and bridging solutions for broadcast, studio, live and installed sound applications.
The product range offers solutions that build bridges between different audio worlds, with support for MADI, SoundGrid, Dante, RAVENNA and the standards AES67 and SMPTE ST2110-30/31.
Founded in 1977 in Skanderborg, Denmark, Dynaudio has over 40 years of experience in producing cutting-edge loudspeakers.
From the classic BM Series and contemporary LYD Series, to the
high-end Core and M Series ranges of studio monitors, Dynaudio's focus
on transparency and accuracy has made them a household name of the
recording studio and broadcast audio industries.
In the UK, Dynaudio can be found in major studios such as Abbey Road
and Air Studios, as well as the next generation of film and game studios
mixing for surround sound and Dolby Atmos.
As well as the highly respected B4000+ organ module, Ferrofish offers a range of quality ADAT <> MADI <> Analogue converters that can be used for studio, live, post-production and broadcast applications and at a price that will suit any budget.
iConnectivity is a renowned professional audio manufacturer known for creating innovative and versatile products.
Headquartered in Calgary, Alberta Canada, the iConnectivity range includes audio and MIDI interfaces that are perfect for both studio and live sound.
The mioXL MIDI 1U rack unit is a favourite among studio and live sound professionals as a robust MIDI hub, whilst the unique PlayAUDIO1U interface allows for the connection of multiple host computers via USB.
High-end monitor controllers, headphone amplifiers and microphone preamps from Konstanz, Germany.
Founded in 1986, Lake People has been designing and manufacturing top-tier professional recording solutions for over 30 years in the Lake Constance region.
Renowned for their exceptional sound quality and reliability, Lake People products proudly carry the acclaimed "Made in Germany" seal of quality.
Lauten Audio design and manufacture high quality studio microphones with a unique and distinctive character.
Based in Northern California, the company regularly collaborates with industry professionals when creating fresh and original sounding microphones.
RME is a German company founded in 1996 by a small group of professional audio engineers and designers.
From day one, the team have stuck to a strict philosophy of truly innovative design and unparalleled reliability in the field of digital audio.
Award-winning headphone and speaker calibration software / measurement microphones from Sonarworks.
Calibrate your headphones and studio monitors with Sonarworks' SoundID Reference software. Create, mix and deliver with confidence, trust every mixing decision, and deliver an accurate studio reference sound every time.
Used and loved by over 200,000 sound recording studios globally.
Handmade pro audio equipment from Madrid, Spain. Combining eco-friendly materials with premium analogue sound, the Tierra Audio range includes Microphones, Preamps, EQs, Compressors and more, and in a variety of different flavours - from clean and precise, to warm, colourful and full of character.
Every component is built to the highest of standards, guaranteeing high-end sonic performance and maximum durability for studio recording, mixing and mastering applications.
A selection of Ex-Demo, B-Stock and Open-Box products from our brands including RME, Ferrofish, Icon and Lauten Audio.
Available at reduced prices from new so grab yourself a bargain!
Synthax Audio UK is a
professional audio distributor supplying the recording studio, live
audio, broadcast, installation, education and scientific application
markets.
Representing a number of established pro audio manufacturers, we keep immediate stock of all key items
from our brands including RME Audio, Calrec Brio and Type R, Ferrofish,
Dynaudio studio monitors, DirectOut, iConnectivity, Appsys ProAudio Multiverter and SRC, TIERRA Audio, Lake People, and
Lauten Audio Microphones.
The
ADI-642, an 8-Channel format converter from MADI to AES and vice versa, is the latest addition to RMEs successful MADI series. Amongst other applications, the unit can serve as ideal AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24-Bit are supported. Its most outstanding feature is an easy-to-use 72 x 74 routing matrix, which can assign an individual input channel to every single output channel, allowing free configuration of all 64 MADI channels and the 8 AES channels. Additional features include:
Direct support for MADI Double and Quad Wire
Automatic Delay Compensation when using more than one unit
Analogue stereo monitor output, up to 192 kHz
Detailed status display for MADI and AES
Completely remote controlable via MIDI
Transfer of MIDI data via MADI
SteadyClock for maximum jitter reduction and clock regeneration
The compact unit with 19" width and 1 unit height serves as format converter MADI to/from AES (
Schematic View). MADI handles 64 channels of 24-Bit audio at sampling frequencies up to 48kHz, 32 channels up to 96kHz, and 16 channels up to 192kHz. All channels are transferred across a single cable, either coaxial (BNC) or optical network cable. In both cases, cable lengths of more than 100 meters can be achieved. The AES/EBU channels are provided via 4 XLR inputs and outputs, respectively. The ADI-642 accepts 56 channels and 64 channels as well as 96k frame at its input, and can be set to generate those formats at its output. This way the ADI-642 even serves as perfect interface between otherwise incompatible MADI devices.
RME ADI-642 Front Panel - Click To Enlarge
Features
A fully automatic input selection between optical and coaxial input offers a useful
redundancy mode for critical applications. Extensive status displays give information about Lock and Sync states, audio content and the physical quality of the incoming signal.
The ADI-642 supplies word clock in Single, Double and Quad Speed, distributes Double Wire 96kHz signals into the MADI data stream and to the AES ports, and even supports the double MADI sample rate (96K frame). The
SyncAlign® and SyncCheck® technologies known from other RME products ensure perfect synchronization and clear detection of errors. Also, multiple units can be stacked and operated together, using word clock to produce sample-alignment across all units. All settings are stored when the unit is switched off.
Additionally the ADI-642 features an easy-to-use 72 x 74 Matrix Router. An input signal can be assigned to every output channel, both for AES and MADI. This not only allows free signal routing during format conversion, but also forwarding and routing of signals within the same format. An input signal can also be distributed to any number of outputs. With more than one ADI-642, several MADI signals can be combined (merged) to one MADI stream.
16 MIDI channels can be transferred across MADI (even with 64 audio channels). The device can be fully remote controlled and configured via MIDI, and all status displays can be queried through MIDI. Each ADI-642 can be given a separate ID, allowing separate remote controllability of various devices with only one MIDI channel.
Application examples include:
AES/EBU frontend for RME's HDSP MADI
AES/EBU breakout box for any MADI device
Digital Multicore, allowing signal transfer across long distances with a single cable
RME's SteadyClock(TM) lets the ADI-642 use MADI without an additional word clock connection, and guarantees excellent clock quality in every situation. Due to the highly efficient jitter reduction, any clock signal (even AES and Word Clock) can be improved and refreshed, and subsequently be used as reference clock at the word clock output. Intelligent Clock Control (ICC) will retain the last valid sample frequency in case of a loss of the input signal.
The analogue monitor output operates in stereo and has a low impedance. It can be used as line and headphone output and supports 192 kHz at 112 dBA SNR. The routing matrix can assign any of the 36 stereo input pairs to the monitor output.
RME ADI-642 Rear Panel - Click To Enlarge
Auto Delay Compensation
A typical application example is the use of a HDSP MADI PCI-card in a computer with the ADI-642 as external AES interface (schematic view). As MADI transmits 64 channels, up to eight ADI-642 can be used to provide all 64 channels via 32 AES I/Os.
The integrated Matrix Router makes such a setup easy to be configured. The MADI signal is passed through from device to device. When passing through the MADI signal, a delay of a few samples per ADI-642 occurs, causing the AES inputs and outputs to show an offset.
This problem is fixed by the Automatic Delay Compensation. Each ADI-642 automatically detects which unit it is within the chain, and corrects the AES input and output data so that all AES I/Os operate sample-aligned. The additional Auto Configuration mode sets up all ADI-642 to use consecutive AES I/Os. A manual configuration via each unit's Matrix is not required.
The ADI-642 is compatible to MADI interfaces of companies like Sony, Merging, Lawo, Euphonix, Stagetec, Jünger, Audio Service, AMS and others.