ALVA offer a collection of durable audio products built to the highest standards. Forming a perfect complement to the products from our partners from RME, there's an extensive selection of professional cables and a range of other items designed to make studio or on-stage life easier.
Appsys ProAudio is a Swiss design and manufacture company dedicated to creating digital solutions for broadcast, post-production, live and recording studios.
Calrec Audio supplies audio broadcast mixing consoles which are relied on by the world's most successful broadcasters.
Originally formed as a microphone manufacturer in 1964, Calrec celebrated 50 years as audio specialists in 2014.
The company's reputation for build quality, reliability and audio performance has made it an industry benchmark across the world.
DirectOut GmbH specialises in developing essential pro audio connectivity, networking and bridging solutions for broadcast, studio, live and installed sound applications.
The product range offers solutions that build bridges between different audio worlds, with support for MADI, SoundGrid, Dante, RAVENNA and the standards AES67 and SMPTE ST2110-30/31.
Founded in 1977 in Skanderborg, Denmark, Dynaudio has over 40 years of experience in producing cutting-edge loudspeakers.
From the classic BM Series and contemporary LYD Series, to the
high-end Core and M Series ranges of studio monitors, Dynaudio's focus
on transparency and accuracy has made them a household name of the
recording studio and broadcast audio industries.
In the UK, Dynaudio can be found in major studios such as Abbey Road
and Air Studios, as well as the next generation of film and game studios
mixing for surround sound and Dolby Atmos.
As well as the highly respected B4000+ organ module, Ferrofish offers a range of quality ADAT <> MADI <> Analogue converters that can be used for studio, live, post-production and broadcast applications and at a price that will suit any budget.
iConnectivity is a renowned professional audio manufacturer known for creating innovative and versatile products.
Headquartered in Calgary, Alberta Canada, the iConnectivity range includes audio and MIDI interfaces that are perfect for both studio and live sound.
The mioXL MIDI 1U rack unit is a favourite among studio and live sound professionals as a robust MIDI hub, whilst the unique PlayAUDIO1U interface allows for the connection of multiple host computers via USB.
High-end monitor controllers, headphone amplifiers and microphone preamps from Konstanz, Germany.
Founded in 1986, Lake People has been designing and manufacturing top-tier professional recording solutions for over 30 years in the Lake Constance region.
Renowned for their exceptional sound quality and reliability, Lake People products proudly carry the acclaimed "Made in Germany" seal of quality.
Lauten Audio design and manufacture high quality studio microphones with a unique and distinctive character.
Based in Northern California, the company regularly collaborates with industry professionals when creating fresh and original sounding microphones.
RME is a German company founded in 1996 by a small group of professional audio engineers and designers.
From day one, the team have stuck to a strict philosophy of truly innovative design and unparalleled reliability in the field of digital audio.
Award-winning headphone and speaker calibration software / measurement microphones from Sonarworks.
Calibrate your headphones and studio monitors with Sonarworks' SoundID Reference software. Create, mix and deliver with confidence, trust every mixing decision, and deliver an accurate studio reference sound every time.
Used and loved by over 200,000 sound recording studios globally.
Handmade pro audio equipment from Madrid, Spain. Combining eco-friendly materials with premium analogue sound, the Tierra Audio range includes Microphones, Preamps, EQs, Compressors and more, and in a variety of different flavours - from clean and precise, to warm, colourful and full of character.
Every component is built to the highest of standards, guaranteeing high-end sonic performance and maximum durability for studio recording, mixing and mastering applications.
A selection of Ex-Demo, B-Stock and Open-Box products from our brands including RME, Ferrofish, Icon and Lauten Audio.
Available at reduced prices from new so grab yourself a bargain!
Synthax Audio UK is a
professional audio distributor supplying the recording studio, live
audio, broadcast, installation, education and scientific application
markets.
Representing a number of established pro audio manufacturers, we keep immediate stock of all key items
from our brands including RME Audio, Calrec Brio and Type R, Ferrofish,
Dynaudio studio monitors, DirectOut, iConnectivity, Appsys ProAudio Multiverter and SRC, TIERRA Audio, Lake People, and
Lauten Audio Microphones.
New high-dynamic range, noise-rejection microphone designed for ‘problem-solving’ in challenging recording environments.
London Colney, UK – Lauten Audio has chosen the Winter NAMM Show 2019 to announce two new microphones, the LS-308 off-axis rejection microphone, and the LS-108, a handheld vocal condenser mic.
Along with the recently announced LS-208 front-address microphone, the LS-308 and LS-108 form part of Lauten’s newest “Synergy Series” line, offering recording engineers a selection of tough and durable microphones with extremely high dynamic range. Both the LS-308 and LS-108 are scheduled for release later in 2019.
The LS-308 is a large-diaphragm condenser with an extreme level of noise rejection. Designed for recording instruments and voice in situations where separation is difficult to obtain, the LS-308 solves the problem of achieving isolation in the most challenging of recording environments. With 270 degrees of side and rear off-axis rejection, ambient noise from other nearby sources is reduced by up to 25dB.
This level of rejection is both unusual and highly impressive for a large-diaphragm condenser, and is a result of Lauten Audio’s unique design, which utilises a dual, large-diaphragm, pressure-gradient transducer element. Combined with the microphone’s specially designed circuitry, the LS-308 perfectly handles multi-person, close-proximity vocal dialogue in noisy broadcast environments, rejecting sound from crowd noise and other instruments in live, studio or sound reinforcement environments.
Lauten Audio’s founder, Brian Loudenslager, explains. “The LS-308 large diaphragm condenser microphone is a unique problem solver for recording engineers. Its noise rejection capabilities and tons of dynamic-range make achieving excellent recording results in extremely challenging recording environments possible. The LS-308 works exceptionally well when combined with another condenser mic, so you can use most of the noise rejecting LS-308 and add in just what you need from an accompanying microphone, without filling the track with all the other instruments in the room.”
The LS-208 and LS-308 share several internal features. Both can handle sound pressure levels of 135dB without the need for internal or external pre-attenuation, and in turn have the ability to capture an ultra-wide dynamic range. Highly unique for microphones of this type, both microphones are capable of capturing the full human audio perception of 120db of dynamic range, with many microphones limited to 85dB after compensating for self-noise. This ability gives engineers the option to capture brilliant recordings of highly dynamic instruments in a wide variety of environments, and is especially useful for recording horns, drums, percussion and guitar amps.
Independent High and Low-Cut Filters
Like the LS-208, the new LS-308 features independent, multi-stage, high and low-cut filters to help engineers balance recordings at the source, and reducing the need for additional processing during mixing. The 2-stage low-cut (50 and 120Hz) filters reduce low-end rumble and proximity effect in voice applications, whilst the 2-stage high-cut (8 & 10kHz) filters help tame bright instruments and high frequencies. Both microphones also feature internally shock-mounted condenser elements, to help reduce mechanical shock and vibrations.
The LS-308 requires 48V phantom power for operation and features a JFET transistor circuit with a transformer-based balanced output, with a second-order cardioid polar pattern. The microphone is constructed from high-quality components similar to those found in studio condenser mics, yet is built and packaged to withstand the rigours of broadcast and touring.
A set of purpose-built accessories are also included – a detachable side mounted arm with 135 degrees of movement; a threaded hard mount with an adjustable elbow; an extra-large windscreen that covers the entire head; and a hard storage and transportation case to house and protect the mic and all accessories.
The LS-308 ‘problem solver’ microphone excels in difficult recording environments:
* When off-axis rejection is extremely important
* With highly dynamic instruments in noisy environments
* Close mic’ing drums and guitars both in the studio and live on-stage
* Close-quarters in broadcast booths when off-axis rejection is essential
* Podcast and Voice-overs when off-axis rejection is needed
Key features of the new LS-308:
* 270 degrees of off-axis sound rejection
* Full 120dB (135dB total) of dynamic range without the need of additional attenuation
* Second-order cardioid pattern
* Independent 2-stage low and high-cut frequency switches
* Internally shock mounted pressure gradient condenser elements
* Swing-arm mount with 135 degrees of movement (removable)
For more information on the Lauten Audio LS-308, visit;