ALVA offer a collection of durable audio products built to the highest standards. Forming a perfect complement to the products from our partners from RME, there's an extensive selection of professional cables and a range of other items designed to make studio or on-stage life easier.
Appsys ProAudio is a Swiss design and manufacture company dedicated to creating digital solutions for broadcast, post-production, live and recording studios.
Calrec Audio supplies audio broadcast mixing consoles which are relied on by the world's most successful broadcasters.
Originally formed as a microphone manufacturer in 1964, Calrec celebrated 50 years as audio specialists in 2014.
The company's reputation for build quality, reliability and audio performance has made it an industry benchmark across the world.
DirectOut GmbH specialises in developing essential pro audio connectivity, networking and bridging solutions for broadcast, studio, live and installed sound applications.
The product range offers solutions that build bridges between different audio worlds, with support for MADI, SoundGrid, Dante, RAVENNA and the standards AES67 and SMPTE ST2110-30/31.
Founded in 1977 in Skanderborg, Denmark, Dynaudio has over 40 years of experience in producing cutting-edge loudspeakers.
From the classic BM Series and contemporary LYD Series, to the
high-end Core and M Series ranges of studio monitors, Dynaudio's focus
on transparency and accuracy has made them a household name of the
recording studio and broadcast audio industries.
In the UK, Dynaudio can be found in major studios such as Abbey Road
and Air Studios, as well as the next generation of film and game studios
mixing for surround sound and Dolby Atmos.
As well as the highly respected B4000+ organ module, Ferrofish offers a range of quality ADAT <> MADI <> Analogue converters that can be used for studio, live, post-production and broadcast applications and at a price that will suit any budget.
iConnectivity is a renowned professional audio manufacturer known for creating innovative and versatile products.
Headquartered in Calgary, Alberta Canada, the iConnectivity range includes audio and MIDI interfaces that are perfect for both studio and live sound.
The mioXL MIDI 1U rack unit is a favourite among studio and live sound professionals as a robust MIDI hub, whilst the unique PlayAUDIO1U interface allows for the connection of multiple host computers via USB.
High-end monitor controllers, headphone amplifiers and microphone preamps from Konstanz, Germany.
Founded in 1986, Lake People has been designing and manufacturing top-tier professional recording solutions for over 30 years in the Lake Constance region.
Renowned for their exceptional sound quality and reliability, Lake People products proudly carry the acclaimed "Made in Germany" seal of quality.
Lauten Audio design and manufacture high quality studio microphones with a unique and distinctive character.
Based in Northern California, the company regularly collaborates with industry professionals when creating fresh and original sounding microphones.
RME is a German company founded in 1996 by a small group of professional audio engineers and designers.
From day one, the team have stuck to a strict philosophy of truly innovative design and unparalleled reliability in the field of digital audio.
Handmade pro audio equipment from Madrid, Spain. Combining eco-friendly materials with premium analogue sound, the Tierra Audio range includes Microphones, Preamps, EQs, Compressors and more, and in a variety of different flavours - from clean and precise, to warm, colourful and full of character.
Every component is built to the highest of standards, guaranteeing high-end sonic performance and maximum durability for studio recording, mixing and mastering applications.
A selection of Ex-Demo, B-Stock and Open-Box products from our brands including RME, Ferrofish, Icon and Lauten Audio.
Available at reduced prices from new so grab yourself a bargain!
Synthax Audio UK is a
professional audio distributor supplying the recording studio, live
audio, broadcast, installation, education and scientific application
markets.
Representing a number of established pro audio manufacturers, we keep immediate stock of all key items
from our brands including RME Audio, Calrec Brio and Type R, Ferrofish,
Dynaudio studio monitors, DirectOut, iConnectivity, Appsys ProAudio Multiverter and SRC, TIERRA Audio, Lake People, and
Lauten Audio Microphones.
The ADI-8 DS Mk III is an 8-channel high-end AD and DA converter in reference quality. The standard 1u, 19" box, is a versatile device that offers endless and extraordinary features such as: Intelligent Clock Control (ICC), SyncCheck ™, SteadyClock, four hardware reference levels up to +24 dBu, AES/EBU and ADAT I/O, 192 kHz sample rate, and a digital patch mode.
8-channel AD converter, full symmetrical design, 119 dBA
8-channel DA converter, double balanced output, 120 dBA
Low latency conversion: less than 12 samples delay
4 x AES/EBU I/O per D-sub, 8 channels @ 192 kHz
2 x ADAT I/O, 8 channels @ 96 kHz, 4 channels at 192 kHz
Word clock input and output
2 x 8-channel level metering
Comprehensive digital patch mode for full interconnectivity
RME ADI-8 DS Mk III Front Panel - Click To Enlarge
Features
The ADI-8 DS Mk III is a highly flexible 8-channel AD/DA converter and digital to digital format converter with an unrivalled bunch of features. The device combines excellent analogue circuit design with outstanding low latency AD/DA converter chips. Along with SteadyClock, the QS offers AD and DA conversion of the highest quality, redefining the reference class of analog/digital converters.
The compact 1U device provides a host of extraordinary features, including 4 hardware reference levels up to +24 dBu, AES/EBU and ADAT I/O up to 192 kHz, and a comprehensive Patch Mode.
The ADI-8 DS Mk III uses a completely symmetrical signal path, that guarantees an exceptional sound quality, outstanding low distortion and highest Signal to Noise ratio in all level settings. To maintain the full dynamic range within all operating levels the ADI-8 DS Mk III uses discrete gain stages which are switched electronically, so that no additional noise or distortion is introduced into the audio path. Sophisticated AD/DA converters provide sample rates up to 192 kHz with a SNR of 120 dBA.
On the digital side, SteadyClock™, RME's unique clock technology and jitter suppression, further enhances the list of features, ensuring the best sound quality regardless of the quality of the reference clock signal. Of course other typical RME features such as Intelligent Clock Control (ICC), SyncCheck™, SyncAlign™ have also been implemented.
The specially developed internal high performance switching power supply provides operation with voltages ranging from 100 to 240 AC Volts. It is short-circuit proof, has an integrated line filter, is fully regulated against voltage fluctuations, and suppresses mains interference.
Analogue Outputs The ADI-8 DS Mk III has separated driver stages for the TRS and D-sub outputs. The servo-balanced TRS jacks will work up to +21 dBu. When selecting +24 dBu the balanced D-sub connector outputs will provide the higher output level while TRS stays at +19 dBu.
ADAT 2 ADAT I/Os support up to 8 channels at 96 kHz (S/MUX) and 4 channels at 192 kHz (S/MUX4). A 25-pin AES/EBU interface features 8 channels at 192 kHz. All outputs can be used simultaneously, i.e.: analog (balanced TRS and/or D-sub), ADAT, AES/EBU.
RME ADI-8 DS Mk III Rear Panel - Click To Enlarge
Analogue Inputs The ADI-8 DS Mk III provides inputs via TRS orD-sub connectors. Both operate servo-balanced and accept levels up to +24 dBu.
Digital Patch Mode A digital patchbay with free choice of source and destination setup can be used to convert ADAT to AES, AES to ADAT, cross-convert them at the same time, pass ADAT on to ADAT while monitored analog, and many more. The ADAT outputs also feature copy mode for connection of two different ADAT devices. These powerful and easy to use modes add significant value to the already outstanding conversion quality.
My RME UFX (which I purchased from Synthax previously) has now been joined by an RME ADI-8 DS MKIII which allows me to double the number of inputs into my DAW without any compromise in quality. Like all RME products (and I've owned a few) the build quality and sound quality is superb and, physically, they compliment each other perfectly. Thank you all for your huge help in getting me the right products (I do ask a lot of questions, sorry) and the super quick turnaround in getting them to me.
